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Anomalous Objects Catalogue chapter 1

"I hear Pripyat is pleasant this time of year."

Sniper stood watch, just outside the old travel agency building. Aside from somehow withstanding the rest of the block collapsing around it, the shop was impressive for having reasonably preserved brochures. Captain and Pilot would often amuse themselves by planning trips to countries that no longer existed, and Engineer would gather what they discarded for kindling. Whenever Sniper grew sufficiently bored, he'd call out with something he thought was witty.

It was a bit like that, being on watch; you'd either say something funny and die knowing your sense of humour was too good for this world,

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Submitted: July 14, 2009
Image Size: 337 KB
Resolution: 1100×1248

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Camera Data

Make:Canon
Model:Canon EOS DIGITAL REBEL XTi
Shutter Speed:5/1 second
Aperture:F/7.1
Focal Length:22 mm
ISO Speed:100
Date Taken:Jun 27, 2009, 10:45:03 PM

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(Contains: nudity)

The kissby `alexiuss

Photography / People & Portraits / Artistic Nude

Mature Content

Highly experimental, fluid, high speed: 1/10'000th of a second photography.

Director:
Vitaly S Alexius

Model: Araina Nespiak

Assistant photographers:
X-processed Fashions (Andriy Z)
Wayne
Inam

Studio assistant:
Chico

5 cameras, 5 speedlights, one water-proofed studio.

Critique by `Davenit Jul 14, 2009, 7:03:22 AM

Interesting image. A few things in it bother me a bit though...

The blue tonality in the water just doesn't work with the models skin tones. Also, on my monitors (30" macs (2) calibrated) the skin tones are way too yellow on her bottom half. I would also bring up the skin tones in the water. As it is now her reflection in the water is grey, would be neat if you had some true skin tonality in that reflection so it looks as though the waters a mirror.

I also think the water on the back side of the model isn't helping the image much either. Burn it out and add some black space to the left of the frame. It would balance the shot out a bit more and give it an more even flow and a sense of 'the water is about to hit' feel to it..

Pretty cool idea as a whole though. I've done a bit of high speed stuff and always love the results from it. I gotta ask though... what did you need 5 camera's for? Did you do multiple shots and stitch them together?

What do you think?

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